Requirements for a minor in Literature (18 semester hours):

  1. Three (3) hours of ENGL 3000.
  2. Three (3) hours of one of the following:
    ENGL 2110, ENGL 2120, 2130, 2180, or 2190
  3. Twelve (12) hours chosen from upper-division 4000-level English courses. *Students may also choose one (1) upper-division writing course for credit within the minor in literature (ENGL 3200, 3400, 3405, or 4210).

Note: No course with the same number may be taken twice for credit toward the minor in literature. In addition to these courses, students may also choose one (1) upper-division writing course for credit within the minor in literature (ENGL 3200, 3400, 3405, or 4210).

For more information, please see the Academic Catalog.

Program Location

Carrollton Campus

Method of Delivery

Face to Face

Accreditation

The University of West Georgia is accredited by The Southern Association of Colleges and Schools Commission on Colleges (SACSCOC).

Credit and transfer

Total semester hours required:

This program may be earned entirely face-to-face. However, depending on the courses chosen, a student may choose to take some partially or fully online courses.

Save money

UWG is often ranked as one of the most affordable accredited universities of its kind, regardless of the method of delivery chosen.

Details

  • Total tuition costs and fees may vary, depending on the instructional method of the courses in which the student chooses to enroll.
  • The more courses a student takes in a single term, the more they will typically save in fees and total cost.
  • Face-to-face or partially online courses are charged at the general tuition rate and all mandatory campus fees, based on the student's residency (non-residents are charged at a higher rate).
  • Fully or entirely online course tuition rates and fees my vary depending on the program. Students enrolled in exclusively online courses do not pay non-Resident rates.
  • Together this means that GA residents pay about the same if they take all face-to-face or partially online courses as they do if they take only fully online courses exclusively; while non-residents save money by taking fully online courses.
  • One word of caution: If a student takes a combination of face-to-face and online courses in a single term, he/she will pay both all mandatory campus fees and the higher eTuition rate.
  • For cost information, as well as payment deadlines, see the Student Accounts and Billing Services website

There are a variety of financial assistance options for students, including scholarships and work study programs. Visit the Office of Financial Aid's website for more information.

General

No course with the same number may be taken twice for credit toward the minor in literature.

Students must take one of the following:

  • ENGL-2110
  • ENGL-2120
  • ENGL-2130
  • ENGL-2180
  • ENGL-2190
Students must take twelve hours chosen from upper-division 4000-level English courses and can choose one of the following writing courses for credit towards a minor in literature.
  • ENGL-3200
  • ENGL-3400
  • ENGL-3405
  • ENGL-4210

A survey of important works of world literature. Required for English majors. Course equivalents ENGL 2111 and ENGL 2112.

View Instructors, Syllabi and Other Details

A survey of important works of British literature. Required for English majors.

View Instructors, Syllabi and Other Details

A survey of important works of American Literature. Required for English majors. Course equivalents ENGL 2131 and ENGL 2132.

View Instructors, Syllabi and Other Details

An examination of representative African-American literary texts, with particular attention to the defining aesthetic principles of the tradition.

View Instructors, Syllabi and Other Details

An exploration of significant literary texts by female authors, with particular attention to the emergence of what might be called a female aesthetic and issues of gender identity.

View Instructors, Syllabi and Other Details

A gateway course that introduces students to representative critical approaches that they will encounter in the major. Emphasis will be given to research skills, methodology and analytical writing. Required for the major and minor in English. Only six hours of upper division work may be taken before the completion of this course. Enrollment requires permission of academic coordinator. Not offered in the summer session.

View Instructors, Syllabi and Other Details

An introduction to the genre-specific workshop in either fiction, poetry, creative nonfiction, screenwriting, or play writing. May be repeated up to 6 hours as topics vary. No more than 2 courses may be counted toward the major in English. Pre-requisites: ENGL 2060 or XIDS 2100 (The Creative Process).

View Instructors, Syllabi and Other Details

This class introduces students to representative philosophies and pedagogical approaches to meaningful practice in the instruction of writing. Built-in components include research as well as reflective and theoretical writing.

View Instructors, Syllabi and Other Details

Intensive practice in composing powerful audience-driven documents in a variety of real-world business, professional and technical contexts. Students will also learn how to make effective business-related presentations supported with appropriate documentary and visual aids.

View Instructors, Syllabi and Other Details

Topics rotate: Medieval Literature: An examination of medieval English literature in its various aspects, considering texts intheir historical context. Renaissance Literature: An investigation of Renaissance literature in its various aspects, including, but not limited to, poetry, prose, and drama, and a consideration of that literature as a part and product of its historical period. Seventeenth Century British Literature: An investigation of significant issues, themes, and ideologies in selections of seventeenth-century British literature studied in terms of their original cultural context. Eighteenth Century British Literature: A topic-centered examination of drama, fiction, poetry and other textual expression from Restoration and eighteenth-century Britain. Works may be studies in their historical, political, cultural and aesthetic context.

View Instructors, Syllabi and Other Details

Topics rotate: British Romanticism: An investigation of issues, themes, and ideologies in selections of British Romantic literature studies in terms of their original cultural context. Victorian Literature: An in-depth analysis of Victorian literature in its original historical, political, cultural and aesthetic contexts. Twentieth-Century British Literature: An in-depth examination of selected twentieth-century texts from the British Isles studied in the context of relevant social, political and cultural issues. Contemporary British and American Literature: An examination of selected texts produced in the last thirty years in the British Isles and the United States.

View Instructors, Syllabi and Other Details

Topics rotate: Colonial and Early American Literature: An examination of representative literary works from exploration and discovery through the era of the new American republic. American Romanticism: An examination of representative American literary works from the nineteenth century through the Civil War. American Realism and Naturalism: An examination of the American literary arts based in an aesthetic of accurate, unromanticized observation/representation of life and nature that flourished in the post-Civil War era.

View Instructors, Syllabi and Other Details

Topics Rotate: Twentieth-Century American Literature: An in-depth examination of ideas and issues prevalent in twentieth-century American literature in its historical, political, cultural and aesthic context. Contemporary British and American Literature: An examination of selected texts produced in the last thirty years in the Brish Isles and the United States.

View Instructors, Syllabi and Other Details

An intensive examination of the formal, social, cultural and historical contexts of a single literary genre as well as the theoretical concerns that underlie its analysis. May be repeated for credit as genre or topic varies. Students may enroll up to three semesters.

View Instructors, Syllabi and Other Details

An examination of films as texts through historical, aesthetic, thematic, and/or cultural questioning and analysis. Typical offerings may include Film and the Novel; Representations of Women in Film, Teen Cultures in Film, etc. May be repeated for credit as topic varies.

View Instructors, Syllabi and Other Details

An examination of the career of a single literary figure in the context of literary history. Frequent offerings in Shakespeare and Chaucer will rotate with courses in a variety of other figures from several literary traditions. May be repeated for credit as topic varies. Shakespeare may be taken for up to six (6) hours, if topic varies, with department chair's permission.

View Instructors, Syllabi and Other Details

An intensive writing experience in one of the following genres: fiction, poetry, creative nonfiction, screenwriting, or playwriting. May be repeated for credit as topic varies.

View Instructors, Syllabi and Other Details

An examination of a topic in literature, theory, and/or writing that transcends the boundaries of the fixed curriculum. Typical offerings might include Literary Representations of the War in Vietnam, Nature Writing and the Environment, and Representations of Aging in Literature. Requires permission of the department chair to repeat.

View Instructors, Syllabi and Other Details

Kevin Casper, Ph.D.

Kevin Casper, Ph.D.

Professor of English

Chad Davidson, Ph.D.

Chad Davidson, Ph.D.

Executive Director of Global Engagements and Cultural Programming

Maria Doyle, Ph.D.

Maria Doyle, Ph.D.

Professor & Graduate Coordinator of English

Patrick Erben, Ph.D.

Patrick Erben, Ph.D.

Professor & English Program Coordinator

Matt Franks, Ph.D.

Matt Franks, Ph.D.

Associate Professor of English

Gregory Fraser, Ph.D.

Gregory Fraser, Ph.D.

Professor of English

Rebecca Harrison, Ph.D.

Rebecca Harrison, Ph.D.

Professor of English

Leah Haught, Ph.D.

Leah Haught, Ph.D.

Associate Professor of English & Coordinator for Publishing and Editing Certificate

Angela Insenga, Ph.D.

Angela Insenga, Ph.D.

Professor of English and Coordinator of Film Studies

Laura Miller, Ph.D.

Laura Miller, Ph.D.

Professor of English

Margaret Mitchell, Ph.D.

Margaret Mitchell, Ph.D.

Professor of English

Alison Umminger, Ph.D.

Alison Umminger, Ph.D.

Professor of English

No Admissions Data Provided.

Specific dates for Admissions (Undergraduate only), Financial Aid, Fee Payments, Registration, Start/End of term, Final Exams, etc. are available in THE SCOOP.

Objectives not available